Aesthetics and Identity in Blade Runner

Critical. May 2010. Posted July 2014. Revised and re-posted March 2019.

The essay addresses and discusses Blade Runner as a Gothic and postmodern work, in particular its use of Gothic tropes and aesthetics, notably transgression, terror and the Sublime, and the fragmentation of identity and derealisation of reality and knowledge. In the context, Edmund Burke’s, Ann Radcliffe’s and Jean-Francois Lyotard’s theories of the sublime and of terror are treated, as well as Jean Baudrillard’s theories of the hyperreal and symbolic death.

17th Century Ireland – the Dynamics of Myth and Fact

Historical. May 2006. Posted July 2014. Revised and re-posted February 2019.

The essay accounts for the major events and changes that took place in Ireland during the first half of the 17th century and compares them with modern perceptions of this period in an attempt to understand the dynamics of myth and fact in present-day tensions in Northern Ireland.

Analysis of  ‘A Night In The Royal Ontario Museum’

Critical. November 1996. Posted March 2019.

This is an analysis of Margaret Atwood’s poem ‘A Night In The Royal Ontario Museum’. In the context, some postcolonial dilemmas are addressed, including Eurocentrism, representation, and hybridity.

The Luddites

Historical. May 1996. Posted June 2014. Revised and re-posted February 2019.

In the midst of the war between England and revolutionary France, a minority of craftsmen rose up in revolt in the heart of industrial Northern England. They were named the “the Luddites”. Indignant at seeing their livelihoods and freedoms threatened by the increased use of machinery, they protested, rioted, and carried out sabotage.

The essay accounts for the conditions and events which led to the activities of the Luddites, the nature of those activities and the organisation of the Luddites, and how the British government responded to the situation.

Comments are closed.