Aesthetics & Identity in Blade Runner

Aesthetics and Identity in Blade Runner added to the Essays collection.

The essay addresses and discusses Blade Runner as a Gothic and postmodern work, in particular its use of Gothic tropes and aesthetics, notably transgression, terror and the Sublime, and the fragmentation of identity and derealisation of reality and knowledge. In the context, Edmund Burke’s, Ann Radcliffe’s and Jean-Francois Lyotard’s theories of the sublime and of terror are treated, as well as Jean Baudrillard’s theories of the hyperreal and symbolic death.